I am a dancer, musician and somatic educator. My work is situated in the spaces in-between things, in the movements of transition and translation between different known worlds. I work to piece back together pathways that were forgotten, or forge new connections that want to be imagined, like the physicality of music, the rich sonic textures of speech, or ancient rituals initiated through new technology. I have devised and choreographed for ensembles, led improvisation scores for site-specific work, created spoken word and sound poetry performance, improvised music for theatre and dance productions, and designed and performed installation-based work.

I have shown my work at places including Tate Modern, The Place, Curve Theatre and Victoria & Albert Museum. I have collaborated with artists across different disciplines, including Neil Paris (director of SMITH dance theatre), Corinne Jola (neuroscientific choreographer), Roddy Skeaping (director of The Next Room) and Tim Murray-Browne (creative coder).

I am a certified Pantarei Approach bodywork practitioner, teaching people to connect to their own strength and abilities, using a combination of empathetic touch and creative, constructive verbal communication. I use this to facilitate individual sessions (Pantarei 1-1 Sessions) as well as group sessions (Bodywork into Dancing Labs) and (Artists Deepening Creative Process).

I also teach 1-1 sessions for piano and flute (click here for Creative Music Lessons), as well as creating bespoke workshops in movement training and performance making for specific projects.

Dance artist Jan Lee with Liria Morays in a guerilla performance in Salvador, Brazil, August 2015.
Jan Lee and Liria Morays in a guerilla performance in Salvador, Brazil, August 2015.